Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Monday, November 9, 2015

Notes Of Inspiration ♬


Bern, Switzerland: A city buzzing with the noise and confusion of words I don't recognize, accents that mystify... and bells, so many bells.

And then, just outside the train station, my ears perk. I hear something familiar....

It's a song. It's a song in English. And it's a song I know.


Somehow, thousands of miles from my home, street musicians in Switzerland are performing a song I know. It's like a little sign reminding me that I am not alone.

Last December, I wrote about my sudden and intense love for pop music that came about at age 15. Over the years since, I've gone through phases of intensely enjoying a particular genre... Pop, Country, 80's Rock, Classical... and currently, it's Contemporary Christian music. There are so many great songs out there right now. In fact, several of them became very meaningful for me this year as I was preparing to leave my job, and later, as I was preparing to embark on my trip, and even now, as I'm looking for a new job.

Below is a list of songs that have had special meaning for me this year....

The Glorious Unfolding - Steven Curtis Chapman
Voice Of Truth - Casting Crowns
Drops In The Ocean - Hawk Nelson
Oceans (Where Feet May Fail) - Hillsong United
Praise You In This Storm - Casting Crowns
Holy Spirit - Francesca Battistelli
Good To Be Alive - Jason Gray
Through All Of It - Colton Dixon
Soul On Fire - Third Day
Greater - Mercy Me


And here are other songs that I just enjoy...

You Are I Am - Mercy Me
Sky Spills Over - Michael W. Smith
That Was Then, This Is Now - Josh Wilson
More Than You Think I Am - Danny Gokey
Shoulders - For King And Country
Because He Lives (Amen) - Matt Maher
Flawless - Mercy Me
Lord, I Need You - Matt Maher
Remind Me Who I Am - Jason Gray
He Knows My Name - Francesca Battistelli
Start A Fire - Unspoken
Fix My Eyes - For King And Country
All The People Said Amen - Matt Maher
Unchangeable - Matthew West
Love Stands Waiting - Matthew West
Write Your Story - Francesca Battistelli
This Is Amazing Grace - Phil Wickham
With Every Act Of Love - Jason Gray


Monday, December 29, 2014

Just Your Average Teenage Musical Awakening

When I was 15 years old, I discovered pop music...


...and it was glorious.

As a wee lass, I lived in a world mostly devoid of pop. My parents didn't listen to it. If the radio was ever on, it was usually tuned to an oldies station... and not even the kind of oldies station that played The Beatles and stuff like that... no, the kind that played dentist office music, as I called it.




We owned a record player and a tape deck, but aside from a few "Wee Sing" tapes, none of the music was really mine. I grew up listening to my parents' music -- the folk, the gospel, the Streisand. I knew the words to a dozen show tunes. And if ever there was a song that was sung way back when on the prairie, I probably knew it... and all its verses.


Sure, I was aware of pop music. Sometimes I'd hear it at friends' house, or when we went to the skate rink. If a song was really popular among the other kids, I usually knew about it. In fourth grade, I could name all the members of New Kids On The Block, not because I listened to their music... because my cousin loved them and taught me all she could. I knew about Counting Crows thanks to Full House. I was cognizant of Nirvana and Pearl Jam because kids at school talked about them. 

But when I was fifteen, something snapped. 


My sophomore year of high school, I was at home sans parents more often than ever before, and I began listening to the radio on my own. I started with the semi-cool oldies station, because many of the songs were at least mildly familiar to me, having heard them in movies and commercials. After a few months of listening to oldies, I began tuning to Z100, our go-to station for all the hit pop songs of the day. When Z100 went to commercials, I'd switch to 106.7 for soft rock. And when I became friends with a girl who loved country music, I started listening to country, too.

My mix tapes from 1996 would give you a good sampling of the kind of things that I enjoyed listening to back then.  I was so proud of my ability to make mix tapes. I didn't even know they were a thing that other people did... I just knew that if I hit "record" on the tape player while a song was playing on the radio, the music went onto the tape forever. If I liked a song very much, I'd let it find its way onto multiple tapes. Then I could take those tapes anywhere I wanted and listen to them with my Walkman.


And so, within months, I went from not caring much about popular music to wanting to listen to it whenever and wherever and however I could. 

When I think back on those days, it occurs to me that my sudden, intense love for pop music (and to some extent, my love for country and soft rock) wasn't just about the music. There was something else. Something that only radio (and maybe MTV, which we didn't have anyway) could give me at that time....

*If I knew the popular songs, I'd have something to talk about with other kids at school (and/or not sound like an idiot.)

*If I listened to the DJs talk, I could find out what things were currently happening in the world of entertainment, and learn which artists were cool.

*If I paid attention to the lyrics of the songs, I might just stumble upon some hidden gem of knowledge that my parents were keeping from me. (A nice thought, but it turns out I didn't understand what 1/4 of the lyrics really meant anyway, and wouldn't figure out most them until my 20's; thank you, Internet!)

Besides those things, pop music was something that the other members of my family weren't familiar with... this was something all my own. My parents were stuck in the 70s, music-wise. My younger brother eventually became a fan of heavy metal and alt rock, but circa 1996, he didn't appear too interested in the music I loved. So this was something that was mine. As a teenager struggling to find my place in my family, school, and world, I needed things of my own, or at least things that felt like they were my own.

Nowadays, I hardly ever listen to pop music, I dislike modern country music, and my favorite genres are actually Classical and 80's Rock. Funny how things can change. But just because my tastes run a little different, now, doesn't mean I don't like to occasionally listen to music from "the good old days."

Today I happen to be poring over the Top 100 Billboard Songs From 1996. Join me as I reminisce!


#1 On The Charts That Year: Macarena (Bayside Boys Mix) - Los Del Rio
Friggin Macarena. Okay, so I knew the dance, but only because if you didn't know the Macarena, you were nothing.

#3: Because You Loved Me - Celine Dion
Celion Dion, then known to me merely as The Other Lady Who Sang "Beauty & The Beast," was a Z100 staple that spring. The movie Up Close & Personal came out in March, and that song was its anthem. Two years later, we would be inundated with My Heart Will Go On.

#4: Nobody Knows - The Tony Rich Project
This was one of the first songs I ever put onto a mix tape, so I listened to it many times that year.

#5: Always Be My Baby - Mariah Carey
I loved Mariah Carey's voice and her music back then. But it occurs to me now that a lot of her songs have really great intros/beginnings... and then sort of go south. Oh well... the lady can sing!

#8: I Love You Always Forever - Donna Lewis
Notable because I could not get enough of this song in the summer of 1996.


#12: Missing - Everything But The Girl
Because when you miss something like the deserts miss the rain, you aren't kidding around.

#13: Ironic - Alanis Morisette 
Alanis was huge that year. "Ironic" wasn't my favorite of her songs, but it got so much playtime that I can't help but feel nostalgic when I hear it. Annnd sing along.

#15: Follow You Down - Gin Blossoms
Yet another one that just screams "1996" to me. 

#18: It's All Coming Back To Me Now - Celine Dion
If "Because You Loved Me" was the anthem of early spring, IACBTMN was that of mid-to-late summer. With two great songs to her credit, I decided I needed to buy a Celion Dion cassette tape to own. And so I did. Yes, I still have it.

#19: Change The World - Eric Clapton
I actually didn't care for this song, and still don't, but hearing it definitely takes me back to warm summer days.

#22: Insensitive - Jann Arden
Another song that takes me back to summer '96. 

#24: Name - Goo Goo Dolls
This is one song (the others being #39 and #41) that I still really enjoy listening to today.

#25: Who Will Save Your Soul - Jewel
I liked this song because I could make my voice sound like Jewel's, all raspy. I thought I was so cool. Jewel would probably disagree.

#26: Where Do You Go - No Mercy
This song was used in a special promo for my favorite show of that time, Lois & Clark. Legend has it that this particular promo only ever aired twice. It didn't save the poor show from being canceled a year later, but dangit if I didn't fall immediately in love with this song because of of that silly (awesome) promo.

#39: Breakfast At Tiffany's - Deep Blue Something
I still love this song!

#41: The World I Know - Collective Soul
And this one!

#53: Mouth - Merril Bainbridge 
We all liked this song... and I don't know why. I think it felt kind of edgy? I don't know. Now I think it's kind of ick.

#54: The Earth, The Sun, and the Rain - Color Me Badd
A minute ago, I was like, What was this song? Do I remember this? So I found it on youtube and within thirty seconds I was singing along. SINGING ALONG. Hahaha oh wow. My crazy brain.

#55: Hook - Blues Traveler
I loved Blues Traveler. And this song was so fun, with its super-fast part with the words we all pretended to know. (Apparently the lyrics are "Anne Boleyn," not "in Berlin." How do you like that?)

#76: As I Lay Me Down - Sophie B. Hawkins
I will not attempt to try to explain to you how much I loved this song. 

#81: Unbreak My Heart - Toni Braxton
One example of a song that played too often that year and that I got totally sick of.

#82: This Is Your Night - Amber
One of the songs I used to dance/work out to. Dabah dabah dah dip-doppa-thay! Also, the video for it is officially crazy.


Wednesday, December 12, 2012

Good Idea/Bad Idea - Disney-Style

Back when Disney's Beauty and the Beast was being made, a song was written for, but ultimately not included in, the film. When the film was adapted into a Broadway show, the song was included on that program. That song, "Human Again," is a sweeping musical number sung by the castle's enchanted objects. They lament about their current state (as... objects) and sing about how they hope Belle breaks the spell so they can get back to business. The song proved so popular on Broadway that, when the film was re-released for Imax ten years after its initial debut, it now included an all-new scene featuring "Human Again," new animation, and some additional dialogue between Belle and the Beast. When the DVD was released, viewers were given a choice between watching the original version of the film, or the "Special Edition" with "Human Again" seamlessly put in.

I've been a fan of Beauty and the Beast since age 11, and had watched my VHS of it many, many times. I bought that DVD the second it was available. I watched the version with "Human Again" and liked it so much that, now, I nearly always watch the film with that scene included. It's a great song, and it adds an extra -- but not intrusive -- dimension to the film.


Since that seemed to work out for audiences, Disney decided to do something similar when they released Pocahontas on DVD. There was this song, "If I Never Knew You." And it's a really great song. They got pop artists to do a rendition of it to play over the end credits, but the song wasn't in the actual film. While the lyrics fit with the theme of the movie, the scene it was intended for just... didn't work. Test audiences, it seems, didn't go for it. It dragged things down. And so it was cut.

But hey... why not reinstate it, animate a scene for it, and get John Smith and Pocahontas to sing it to each other?


Lord have mercy, that's terrible. Is that really Mel Gibson singing? If so, the man needs vocal training, stat. Even The Poc sounds off. And I'm sorry, guys, but those tent walls aren't soundproof... there are probably two very bewildered guards standing outside of it, covering their ears. STOP. JUST STOP.

So, to summarize:

Human Again, sung in and around the castle by the enchanted objects? Good Idea.

If I Never Knew You, sung inside a tent while a weak-voiced John Smith is tied to a pole? Bad idea.

Very bad idea.


Saturday, October 13, 2012

My Top 14: Film Scores

I love film scores. I love the way the music makes me feel while watching a film, and then later, when I'm merely listening to the music on its own, how it can transport me back to that theater. I love how it can stir my emotions. Movie music really is a glorious thing. 

So it is with great pleasure (and a little apprehension) that I present my own personal list of my Top 14 film scores. Why the apprehension? I'm afraid I've forgotten some. I'm worried you all won't love them as much as I do. But then, I guess it's all a matter of taste. These are my favorites. So let's begin.

P.S. Be sure to click on the links after each movie. (Links last verified on 8/12/13). They'll send you to samples of the music itself, and I've selected my favorite pieces from the soundtracks, so I'd definitely recommend a listen.

Okay, here we go.


My Top 14: Film Scores

*   *   *   *   *
#14

Nicholas Nickleby (2002)



music by Rachel Portman

This film's music is delightful and beautiful. The only problem? The movie isn't! Yeah, it's Dickens, so it's dark, it's sad, and it's a bit depressing. So what's with the cheerful music that suggests the endless frolicking of woodland nymphs? I'm not exactly sure -- but I still like to listen to it! (Portman did something similar with her score to 1996's Emma, so the number below may sound a bit familiar to fans of that film.)

Main Titles
End Titles

*   *   *   *   *
#13


Flight of the Navigator (1986)



music by Alan Silvestri

On its own, I guess Flight of the Navigator's music isn't anything to write home about. It's synth-heavy and pretty much the exact opposite of what you'd expect from a sweeping film score. (I like to think Mr. Silvestri, better known for his score from Forrest Gump, had a really fun time making this one.) That said, when paired with the film -- a great, sci-fi family movie that packs an emotional punch -- the music is spot-on. It makes me delightfully happy and nostalgic.

Robot Romp
Have To Help A Friend

*   *   *   *   *
#12

My Girl (1991) and My Girl 2 (1994)


music by James Newton Howard (1) and Cliff Eidelman (2)

These two themes -- by different composers -- share a similar sweetness. The films -- made two and half years apart -- are quite different from one another. But in the end, they're both about a young girl searching for answers. I love both pieces because they're melodious and gentle, with a little essence-of-childhood-fun thrown in. I do wish the scores for these films had been made available in their entirety, but I'll take the themes if nothing else. All in all, two of my favorite little numbers from two of my favorite movies as a teen.

My Girl: Vada's Theme 
Theme From My Girl 2

*   *   *   *   *
#11


Tuck Everlasting (2002)



music by William Ross

Beautiful music graces this film, music that features whistling, upbeat Irish melodies, and the sounds of a tiny music box. And I know I'm not the only fan of this score -- barely two years after the movie came out, the soundtrack went out of print and the price shot up to nearly $100 per (used) CD! Fortunately, if you've got the DVD, the music plays over many of the title screens, which means you can listen to it to your heart's content.

The Wheel/Treegap

*   *   *   *   *
#10


Beauty and the Beast (1991)



music by Alan Menken

Sure, everyone knows about "Be Our Guest," "Gaston," and the title number, but the unheralded stars of the film are its instrumental pieces. The official soundtrack has five of them: To The Fair, West Wing, The Beast Lets Belle Go, Battle On The Tower, and Transformation. The latter is my favorite: what a range of emotions that one covers! Which is to say it makes me cry. Yeah.

*   *   *   *   *
#9


Dear Frankie (2005)



music by Alex Heffes

If I was merely putting together a list of beautiful soundtracks, this would likely take the #1 spot. I really, really love it. A gorgeous score for a sweet film.


*   *   *   *   *
#8


Rudy (1993)



music by Jerry Goldsmith

Rudy's a fine film, a feel-good type of underdog-beating-the-odds story. Its main title is pretty and delicate, and makes a great piano piece. The track Spring Training, on the other hand, will make you stand up and cheer. Jerry, we miss you, we really do.


*   *   *   *   *
#7

Hook (1991)



music by John Williams

So one thing about John Williams is that he sometimes just rehashes his own work, which means the soundtracks to two different movies he's done will sound eerily similar. But when he's on his A-game, he brings it home. And Hook has a stellar soundtrack. Maybe the movie itself hasn't held up that well. (Yeah, I own it, it's corny.) But the music has. Who cares if John W. "borrowed" from it when he composed the scores for Home Alone 2 and Harry Potter? Not I! (Okay, maybe a little.) His themes from Star Wars, Indiana Jones, Superman, and E.T. may be more iconic, but Hook is the one that gets my heart racing. Laugh if you must.

Remembering Childhood

*   *   *   *   *
#6


Peter Pan (2003)



music by James Newton Howard

I saw this film in the theater on opening day, and the music lodged itself into my brain and stayed for months. I ended up going back to the theater three more times just to get my fix (well, I loved the film, too). I may have over-listened to the soundtrack back in '04, because it doesn't give me quite the same thrill these days, but it is really fantastic. Flying, Fairy Dance, and I Do Believe In Fairies are favorites. Annnd now I want to go watch the film again.

*   *   *   *   *
#5


To Kill A Mockingbird (1962)



music by Elmer Bernstein

I've noticed that a lot of older movies (pre-1970) have this sort of old-timey quality to their music, with violins playing loudly but slowly, blended with the sounds of a choir, people in white robes with cropped hair and/or pompadours who you figure are probably all dead now. To Kill A Mockingbird manages to avoid this, with music that sounds rather modern (or has just held up remarkably well). It's beautiful and fits the story, a story of childhood, (in)justice, and innocence lost. And even though the music and the film are fifty years old, they're every bit as wonderful today as they ever were. (As is the book, which you should go read immediately.)

Main Title
Roll The Tire

*   *   *   *   *
#4


The Goonies (1985)



music by Dave Grusin

This is one of those films that you probably only enjoy if you first saw it (and liked it) as a kid. Well, I did. And whenever I hear most any piece of music from the film -- whether it's the scene with the wishing well or the reunion on the beach or whatever -- I get immensely nostalgic. But it's more than that. Like I said, I get nostalgic over Flight of the Navigator's music, too, and that one's lower on the list. The Goonies is just a really, really good soundtrack, full of exciting, great music that lends itself to a fun film.

End Theme
Fratelli Chase (and others)

*   *   *   *   *

#3

Robin Hood: Prince Of Thieves (1991)



music by Michael Kamen

There's a reason people keep borrowing the Robin Hood overture to use for their trailers, commercials and montages: it's epic. And yet, who ever really remembers what movie it's from, the way you might if you heard the Star Wars theme? Trust, it's from this movie, and this movie is just plain fun. Swordfights, romance, badass archery-doings, and a whole lot of Alan Rickman being campy and evil. Gotta love it.

Overture
Training

*   *   *   *   *

#2


Back to the Future (1985)



music by Alan Silvestri

I've seen BTTF roughly a hundred times, and I never get sick of the music. Alan Silvestri did something with this movie that I do not believe he's done since (except maybe with BTTF III). We all know he's great at making sweet melodies and feel-good orchestral numbers, but BTTF's music is feel-good with a shot of kick-ass and a gallonful of hell yeah. If this music doesn't get your blood pumping rapidly, then... I'm sorry, but you're probably dead.


*   *   *   *   *
#1

The Man In The Iron Mask (1998)



music by Nick Glennie-Smith

I'll admit it: I was one of those girls who went and saw this movie in 1998 after falling for Leonardo Dicaprio in Titanic. I mean, why else would I care about the Three Musketeers-as-middle-aged dudes? I couldn't even tell Jeremy Irons and John Malkovich apart! But I went and saw it, and I found myself getting into the whole swashbuckling saga. I also remember how much I loved the music. Some years later, I got the soundtrack, and it's one I can listen to repeatedly. Nick Glennie-Smith did an amazing job on this one.

All For One (be sure to listen all the way to the end!) is my favorite and Training To Be King is another good one. Which brings up an interesting question: why do so many of my favorite tracks have the word "training" in the title?

Eh, forget it.

*   *   *   *   *

So that's my list. I know I've probably forgotten one and may have to revise this later, but for now....

Honorable Mentions: Dances With Wolves, Batman Begins, Indiana Jones and the Last Crusade, The Princess Bride, Harry Potter 1, 2, 5, 6, 7 and 8, Ever After, Anne Of Green Gables, Forrest Gump, Now & Then, E.T., Back to the Future III, Contact, Superman, Superman Returns, Mary Poppins, The Secret Garden (1993), Attila, The Natural, The Game Of Their Lives, Lord of the Rings, The Chronicles of Narnia, Pirates of the Caribbean, A Little Princess (1995), The Lion King, Little Women (1994)